Inspired by this behavior, I created Montage, a prototyping tool for video prototyping that lets designers progressively augment paper prototypes with digital sketches, facilitating the creation, reuse and exploration of dynamic interactions. Participants continuously try to reduce re-shooting by reusing backgrounds or mixing different levels of fidelity. However, many designers find tedious to create stop-motion videos for continuous interactions and to re-shoot clips as the design evolves. Results suggest that participants spend less time capturing and editing in VideoClipper than with other video tools. I present informal user studies with interaction design students using VideoClipper in three design courses. VideoClipper offers editable and reusable TitleCards, video capture for steady-state and rough stop-motion filming and the ability to recombine videos in new ways for redesign. The tool provides a storyboard-style overview to organize multiple videos in story Lines. This tool embodies an integrated iterative design method that rewards discipline but permits flexibility for video prototyping. To aid during the capturing-phase of video prototyping I created VideoClipper. Designers experience two main barriers to use video in interaction design: the time to capture and edit the video artifacts. First, I investigate tools in the context of video prototyping. I argue that rapid prototyping tools can effectively support reusable as well as throwaway artifacts for sketching interaction in early-stage design. However, while these throwaway prototypes are quick to create they are difficult to iterate over. Current rapid prototyping tools and techniques focus on paper representations and their disposability. During the early stages, designers rely on rapid prototyping to explore ideas. Prototyping is essential in any design process. Thomas Noble Howe is a professor in the Department of Art at Southwestern University in Georgetown, Texas. Rowland is an associate professor of Art History at the University of Chicago. Rowland’s new translation and Howe’s critical commentary and illustrations provide a new image of Vitruvius, who emerges as an inventive and creative thinker, rather than the normative summarizer, as he was characterized in the Middle Ages and Renaissance. Demonstrating the range of Vitruvius’ style, this new edition includes examples from archaeological sites discovered since World War II and not previously published in English language translations.
The only full treatise on architecture and its related arts to survive from classical antiquity, the Architecture libri decem (Ten Books on Architecture) is the single most important work of architectural history in the Western world, having shaped architecture and the image of the architect from the Renaissance to the present.
For the first time in more than half a century, Vitruvius’ Ten Books on Architecture is being published in English.
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